Chiaki Maki’s textile art exhibition
Opening : 24th January 2025
Monday to Saturday
10 am to 6 pm
(Open Sunday 9th Feb 2025)
I enjoy making anything with textile materials, and recently I've been simply enjoying making things that I like.
I especially like making things that don't have a specific purpose, like the shapes and textures that appear when I touch the material...
I also cut out the moments I feel beautiful in the daily process of making fabrics in the studio, make them into the art pieces and enjoy hanging them on the wall of the studio...
Putting all of these things together, an exhibition is happening at an art gallery in North India called Art Motif.
Chiaki Maki’s textile art exhibition
Opening : 24th January 2025
Monday to Saturday
10 am to 6 pm
(Open Sunday 9th Feb 2025)
I enjoy making anything with textile materials, and recently I've been simply enjoying making things that I like.
I especially like making things that don't have a specific purpose, like the shapes and textures that appear when I touch the material...
I also cut out the moments I feel beautiful in the daily process of making fabrics in the studio, make them into the art pieces and enjoy hanging them on the wall of the studio...
Putting all of these things together, an exhibition is happening at an art gallery in North India called Art Motif.
Nothing in nature stays still, and there is always irregular movement.
Just as wind, rain, and waves move irregularly, when a silkworm makes a cocoon, it spits out fibers while shaking its head.
I make threads that preserve this sway as much as possible, and weave them in a way that makes the sway of the threads into a single piece of cloth.
Yuragi 1
Double weave | Hand reeled mulberry silk and muga silk | Indigo and Pomegranate | size: 81 x 37cm
Yuragi 9 | Gold & Silver
Double weave | Hand reeled mulberry silk and muga silk | Pomegranate | size: 130 x 103cm
maki
Yuragi
Yuragi (fluctuation):
Nothing in nature stays still, and there is always irregular movement.
Just as wind, rain, and waves move irregularly, when a silkworm makes a cocoon, it spits out fibers while shaking its head.
I make threads that preserve this sway as much as possible, and weave them in a way that makes the sway of the threads into a single piece of cloth.
Yuragi 1
Double weave | Hand reeled mulberry silk and muga silk | Indigo and Pomegranate | size: 81 x 37cm
Yuragi 9 | Gold & Silver
Double weave | Hand reeled mulberry silk and muga silk | Pomegranate | size: 130 x 103cm
maki
Tsunagi
Tsunagi (connexion):
This happens in the moment when one warp yarn is finished and the next warp yarn is connected...
it's not intentional, the action of connecting the threads so that the next warp thread can be woven properly is beautiful, and the picture of connected warp yarns is also stunningly beautiful.
A unique, painting-like shape of yarns is born that cannot be repeated.
Tsunagi 3
Hand reeled mulberry silk and muga silk, Basho | Indigo and Pomegranate, Banyan bark | size: 86 x 37cm
Tsunagi 4
Double weave | Hand reeled mulberry silk and muga silk | Indigo and Pomegranate | size: 153 x 105cm
Tsunagi 5
Linen and Tassar silk | size: 210 x 154cm
maki
Tsunagi
Tsunagi (connexion):
This happens in the moment when one warp yarn is finished and the next warp yarn is connected...
it's not intentional, the action of connecting the threads so that the next warp thread can be woven properly is beautiful, and the picture of connected warp yarns is also stunningly beautiful.
A unique, painting-like shape of yarns is born that cannot be repeated.
Tsunagi 3
Hand reeled mulberry silk and muga silk, Basho | Indigo and Pomegranate, Banyan bark | size: 86 x 37cm
Tsunagi 4
Double weave | Hand reeled mulberry silk and muga silk | Indigo and Pomegranate | size: 153 x 105cm
Tsunagi 5
Linen and Tassar silk | size: 210 x 154cm
maki
Koshi
Koshi (grid):
Indigo yarns are dyed with indigo plants grown and harvested at Ganga Maki and made into mud indigo.
There are countless shades of indigo.
I simply look at the yarns and shades, and make them into a grid with the span possible.
It is important to me to use everything without leaving it behind.
These are the various grids that were made in this way.
Koshi 2 | Indigo grid
Double weave | Hand reeled mulberry silk and muga silk, Basho | Fresh leaf indigo and Pomegranate | size: 200 x 100cm
Koshi 3 | Indigo grid
Double weave | Hand reeled mulberry silk and muga silk, Basho | Fresh leaf indigo and Pomegranate | size: 190 x 101cm
Koshi 4
Double weave | Hand reeled mulberry silk and muga silk, Basho | Indigo and Pomegranate, Sappun wood | size: 102 x 115cm
maki
Koshi
Koshi (grid):
Indigo yarns are dyed with indigo plants grown and harvested at Ganga Maki and made into mud indigo.
There are countless shades of indigo.
I simply look at the yarns and shades, and make them into a grid with the span possible.
It is important to me to use everything without leaving it behind.
These are the various grids that were made in this way.
Koshi 2 | Indigo grid
Double weave | Hand reeled mulberry silk and muga silk, Basho | Fresh leaf indigo and Pomegranate | size: 200 x 100cm
Koshi 3 | Indigo grid
Double weave | Hand reeled mulberry silk and muga silk, Basho | Fresh leaf indigo and Pomegranate | size: 190 x 101cm
Koshi 4
Double weave | Hand reeled mulberry silk and muga silk, Basho | Indigo and Pomegranate, Sappun wood | size: 102 x 115cm
maki
Untitled
Untitled:
This is woven with bark fibers from a tree called Bhimal, which is still treasured as a useful tree in a farming village at the foot of the Himalayas, dyed with plants.
I celabrate the way of life in the village and the spirit of the trees!
Untitled
Bhimal | size: 70 x 220cm
Field
Field:
Ramie, Basho fibers grown in Ganga Maki.
Usually, the fibers are torn into thin strips, connected to make yarns, and then woven with other materials to make cloth, but one day I wanted to see what would happen if I wove the fibers as they are.
And this is the fabric I created.
Field
Hand reeled mulberry silk and muga silk, Basho, Choma, Tassar silk, Kuzu | size: 133 x 102cm
Dancing Basho
Dancing Basho:
Basho trees grown on the grounds of Ganga Maki where I live.
After harvesting at the right time and taking the fibers to make yarns, mountains of fibers that cannot be made into yarn remain.
I use these fibers to make Basho paper as old time in Okinawa people were making.
One day I wondered if I could make something three-dimensional, and when I tried making something that looked like it was dancing, I named it Dancing Basho.
Dancing Basho
Basho paper art | Basho fiber, choma, Bhimal | size: 140 x 140cm
Untitled, Field & Dancing Basho
Untitled:
This is woven with bark fibers from a tree called Bhimal, which is still treasured as a useful tree in a farming village at the foot of the Himalayas, dyed with plants.
I celabrate the way of life in the village and the spirit of the trees!
Untitled
Bhimal | size: 70 x 220cm
Field:
Ramie, Basho fibers grown in Ganga Maki.
Usually, the fibers are torn into thin strips, connected to make yarns, and then woven with other materials to make cloth, but one day I wanted to see what would happen if I wove the fibers as they are.
And this is the fabric I created.
Field
Hand reeled mulberry silk and muga silk, Basho, Choma, Tassar silk, Kuzu | size: 133 x 102cm
Dancing Basho:
Basho trees grown on the grounds of Ganga Maki where I live.
After harvesting at the right time and taking the fibers to make yarns, mountains of fibers that cannot be made into yarn remain.
I use these fibers to make Basho paper as old time in Okinawa people were making.
One day I wondered if I could make something three-dimensional, and when I tried making something that looked like it was dancing, I named it Dancing Basho.
Dancing Basho
Basho paper art | Basho fiber, choma, Bhimal | size: 140 x 140cm